Music Printing In Renaissance Venice

Music Printing in Renaissance Venice PDF
Author: Jane A. Bernstein
Publisher: Oxford University Press
ISBN: 0195102312
Size: 59.77 MB
Format: PDF, Docs
Category : History
Languages : en
Pages : 1175
View: 4861

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Venetian music print culture of the mid-sixteenth century is presented here through a study of the Scotto press, one of the foremost dynastic music publishers of the Renaissance. For over a century, the house of Scotto played a pivotal role in the international book trade, publishing in a variety of fields including philosophy, medicine, religion, and music. This book examines the mercantile activities of the firm through both a historical study, which illuminates the wide world of the Venetian music printing industry, and a catalog, which details the music editions brought out by the firm during its most productive period. A valuable reference work, this book not only enhances our understanding of the socioeconomic and cultural history of Renaissance Venice, it also helps to preserve our knowledge of a vast musical repertory.

Print Culture And Music In Sixteenth Century Venice

Print Culture and Music in Sixteenth Century Venice PDF
Author: Jane A. Bernstein
Publisher: Oxford University Press
ISBN: 9780195349702
Size: 51.23 MB
Format: PDF, Kindle
Category : Music
Languages : en
Pages : 256
View: 292

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This volume discusses the commerce of music and its connection to the printing and publishing industry in mid-sixteenth century Venice. Music printers occupied a unique niche in the Renaissance printing world because their product appealed to those with sophisticated taste and was not readable by the entire literate public. Bridging the gap between music and other disciplines, Bernstein demonstrates here that the role of a music printer can be discussed as part of the larger cultural and economic question of the success of a commercial enterprise.

Music Printing In Renaissance Venice

Music Printing in Renaissance Venice PDF
Author: Jane A. Bernstein
Publisher: Oxford University Press
ISBN: 9780195102314
Size: 66.39 MB
Format: PDF, ePub, Docs
Category : History
Languages : en
Pages : 1175
View: 5143

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This text examines the mercantile activities of the Scotto Press through both a historical study, which illuminates the wide world of mid-16th century Venetian music printing industry, and a catalogue, which details the firm's music editions.

Thomas East And Music Publishing In Renaissance England

Thomas East and Music Publishing in Renaissance England PDF
Author: Jeremy L. Smith
Publisher: Oxford University Press
ISBN: 9780195350012
Size: 74.37 MB
Format: PDF, Kindle
Category : Music
Languages : en
Pages : 248
View: 641

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In the London of Shakespeare and William Byrd, Thomas East was the premier, often exclusive, printer of music. As he tells the story of this influential figure in early English music publishing, Jeremy Smith also offers a vivid overall portrait of a bustling and competitive industry, in which composers, patrons, publishers, and tradesmen sparred for creative control and financial success. It provides a truly comprehensive study of music publishing and a new way of understanding the place of musical culture in Elizabethan times. In addition, Smith has compiled the first complete chronology of East's music prints, based on both bibliographical and paper-based evidence.

Antonio Gardano Venetian Music Printer 1538 1569

Antonio Gardano  Venetian Music Printer  1538 1569 PDF
Author: Mary Lewis
Publisher: Routledge
ISBN: 1135574995
Size: 33.76 MB
Format: PDF, Kindle
Category : Music
Languages : en
Pages : 616
View: 706

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Antonio Gardano's publications are among the most important sources of sixteenth-century music. This final volume in Mary Lewis's three volume set completes the catalogue of Antonio Gardano's publications, covering the years 1560-1569.

A Companion To Music In Sixteenth Century Venice

A Companion to Music in Sixteenth Century Venice PDF
Author:
Publisher: BRILL
ISBN: 9004358307
Size: 40.93 MB
Format: PDF, ePub
Category : History
Languages : en
Pages : 576
View: 6585

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Covering all facets of musical life in sixteenth-century Venice, the Companion addresses the city’s institutions (churches, confraternities, and academies), public and private occasions of music making, musicians and instrument makers, and the rich variety of musical genres.

Music And Culture In Late Renaissance Italy

Music and Culture in Late Renaissance Italy PDF
Author: Iain Fenlon
Publisher: Oxford University Press
ISBN: 9780198164449
Size: 40.40 MB
Format: PDF, ePub
Category : Music
Languages : en
Pages : 265
View: 5980

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Explores the role of music in the cultural, religious, and political upheavals of late Renaissance Italy, revealing how musical activity of all kinds was instrumentalized by those in power. Italian culture did not lose its vigour after 1530, but underwent a transformation.

Early Music Printing In German Speaking Lands

Early Music Printing in German Speaking Lands PDF
Author: Andrea Lindmayr-Brandl
Publisher: Routledge
ISBN: 1315281430
Size: 46.65 MB
Format: PDF, ePub, Mobi
Category : Music
Languages : en
Pages : 272
View: 1700

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The first century of music printing in Germany had its own internal dynamics, affected by political and social events such as the Reformation. Yet it also had an international dimension: German printers set up shops all around Europe, taking materials and techniques with them, or exporting necessary materials such as type. For the first time, this collection brings together the different strands that define the German music printing landscape from the late fifteenth to the late sixteenth century. From the earliest developments in music printing and publishing, to printing techniques and solutions, the commerce of music printing, and intellectual history, the chapters outline broad trends in the production of different genres of printed books and examine the work of individual printers. The book draws upon the rich information gathered for the online database Catalogue of early German printed music / Verzeichnis deutscher Musikfrühdrucke (vdm), the first systematic descriptive catalogue of music printed in the German-speaking lands between c. 1470 and 1540, allowing precise conclusions about the material production of these printed musical sources. The result is a highly original and varied picture of the beginnings of music printing in a geographical region that, until now, has been somewhat neglected.

Music Authorship And The Book In The First Century Of Print

Music  Authorship  and the Book in the First Century of Print PDF
Author: Kate van Orden
Publisher: Univ of California Press
ISBN: 0520957113
Size: 47.57 MB
Format: PDF, Docs
Category : Music
Languages : en
Pages : 256
View: 1294

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What does it mean to author a piece of music? What transforms the performance scripts written down by musicians into authored books? In this fascinating cultural history of Western music’s adaptation to print, Kate van Orden looks at how musical authorship first developed through the medium of printing. When music printing began in the sixteenth century, publication did not always involve the composer: printers used the names of famous composers to market books that might include little or none of their music. Publishing sacred music could be career-building for a composer, while some types of popular song proved too light to support a reputation in print, no matter how quickly they sold. Van Orden addresses the complexities that arose for music and musicians in the burgeoning cultures of print, concluding that authoring books of polyphony gained only uneven cultural traction across a century in which composers were still first and foremost performers.

Music And The Cultures Of Print

Music and the Cultures of Print PDF
Author: Kate van Orden
Publisher: Routledge
ISBN: 1135638055
Size: 36.58 MB
Format: PDF, ePub
Category : Music
Languages : en
Pages : 354
View: 1017

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First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.

Editing Music In Early Modern Germany

Editing Music in Early Modern Germany PDF
Author: SusanLewis Hammond
Publisher: Routledge
ISBN: 1351568833
Size: 25.43 MB
Format: PDF, ePub, Mobi
Category : Music
Languages : en
Pages : 286
View: 3100

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Editing Music in Early Modern Germany argues that editors played a critical role in the transmission and reception of Italian music outside Italy. Like their counterparts in the world of classical learning, Renaissance music editors translated texts and reworked settings from Venetian publications, adapting them to the needs of northern audiences. Their role is most evident in the emergence of the anthology as the primary vehicle for the distribution of madrigals outside Italy. As a publication type that depended upon the judicious selection and presentation of material, the anthology showcased editorial work. Anthologies offer a valuable case study for examining the impact of editorial decision-making on the cultivation of particular styles, genres, authors and audiences. The book suggests that music editors defined the appropriation of Italian music through the same processes of adaptation, transformation and domestication evident in the broader reception of Italy north of the Alps. Through these studies, Susan Lewis Hammond's work reassesses the importance of northern Europe in the history of the madrigal and its printing. This book will be the first comprehensive study of editors as a distinct group within the network of printers, publishers, musicians and composers that brought the madrigal to northern audiences. The field of Renaissance music printing has a long and venerable scholarly tradition among musicologists and music bibliographers. This study will contribute to recent efforts to infuse these studies with new approaches to print culture that address histories of reading and listening, patronage, marketing, transmission, reception, and their cultural and political consequences.

A Companion To Venetian History 1400 1797

A Companion to Venetian History  1400 1797 PDF
Author:
Publisher: BRILL
ISBN: 9004252525
Size: 77.67 MB
Format: PDF, Mobi
Category : History
Languages : en
Pages : 992
View: 6376

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The Companion to Venetian History, 1400-1797 provides a single volume overview of the most recent developments. It is organized thematically and covers a range of topics including political culture, economy, religion, gender, art, literature, music, and the environment. Each chapter provides a broad but comprehensive historical and historiographical overview of the current state and future directions of research.

Music Print And Culture In Early Sixteenth Century Italy

Music  Print and Culture in Early Sixteenth century Italy PDF
Author: Fellow of King's College Cambridge Lecturer in Music Iain Fenlon
Publisher: British Library Board
ISBN:
Size: 36.82 MB
Format: PDF, ePub, Docs
Category : Literary Criticism
Languages : en
Pages : 96
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In this illustrated study, Iain Fenlon examines the impact of the spread of printing on the publication of music in early sixteenth-century Italy, the place where the first collections of polyphonic music were printed and where the market for those books was originally created. Music, Print and Culture in Early Sixteenth-Century Italy is the published record of the tenth series of Panizzi Lectures, delivered at The British Library by Dr Iain Fenlon in autumn 1994.

Tielman Susato And The Music Of His Time

Tielman Susato and the Music of His Time PDF
Author: Keith Polk
Publisher: Pendragon Press
ISBN: 9781576471067
Size: 24.36 MB
Format: PDF, Docs
Category : Music
Languages : en
Pages : 208
View: 4982

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Ambitious, versatile, and extraordinarily talented, Tielman Susato carved out a distinguished place for himself in the Renaissance cultural scene. He began his professional life as a trombonist in the Antwerp civic band. This was one of the outstanding ensembles of the day, but he soon expanded his range of activity as a musical scribe, preparing manuscript collections for an avid market that developed in the rapidly growing Flemish urban centers. He subsequently moved on and established one of the foremost publishing houses in Europe, providing an impeccably selected musical repertory that found a ready market then and which engenders respect even today among musicians and students of Renaissance music. In addition, he was a composer of exceptional talent, supplying superb pieces in all the genres that would have been desired in the elite urban and courtly circles of the time. In this volume a group of prominent scholars has contributed essays surveying a broad range of topics concerning Susato. These provide details of his biography (some only recently available), discuss aspects of his publications, investigate his compositional techniques, and lay out contexts for Susato's highly varied and remarkable career.

Adrian Willaert

Adrian Willaert PDF
Author: David Kidger
Publisher: Routledge
ISBN: 1135575762
Size: 71.79 MB
Format: PDF, ePub, Docs
Category : Music
Languages : en
Pages : 472
View: 7584

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This key text will be the first full-length research tool on Adrian Willaert, the Renaissance composer of motets and madrigals who came to prominence in the first part of the sixteenth century, and should prove invaluable to researchers and students.